As my planned date of publication for my debut novel draws closer, I find myself thinking a lot about what makes a story worthy. What should an author most pay attention to? I came up with 4 essentials.
Essential 1 – Don’t Make Stupid Choices
So your story takes place in some ancient country that I’ve never heard of. Great. I’m sure it’s a wonderful setting, but do you really have to use authentic names for your characters? The five scholars who make the study of that country’s history their lives’ work will be appreciative, but the rest of your potential audience will give up reading when they lose track of who and where.
I do understand that no problem is too great that it can’t be solved, and a creative writer can make anything work.
The truth is, writing something people will want to read is freaking hard. Becoming competent in the basics is challenging enough. I just don’t need additional hurdles.
Essential 2 – Setting and Events Don’t Matter Without Context
Let’s say I’m writing a story and choose for my setting: late evening in the French Quarter of New Orleans on February 7, 2010.
To the vast majority of people, the time and date will have no relevance. The location might have some. They may remember a drunken Mardi Gras. Perhaps they have a pleasant association involving their appreciation of the city’s architecture. Maybe they have a negative feel for the place because an old girlfriend from there dumped them.
I wasn’t there at the time the story takes place, but I get goose bumps thinking about it. If I expect my audience automatically to feel the same way, I’m an idiot. It takes work to get them to that point.
The story isn’t about a setting or the events; it’s about a guy. If I show him as a long-suffering Saints fan — throwing the TV remote at the end of yet another 3-13 season, his despair at a series of poor decisions and squandered opportunities — when I take the reader to the culmination of Super Bowl XLIV with this guy surrounded by throngs of the faithful, I can make any reader feel the same emotion that I do (well, maybe ANY reader. It requires the capacity for emotion, and I have a hard time ascribing any human attribute to a Falcons fan.).
Essential 3 – Tension
If a story is life without the boring parts, tension is what removes the boredom. Truthfully, if you want to find a single area on which to concentrate, pick this one.
A story with the tension done right will keep the reader turning pages even if everything else about it pretty much sucks. The reader will finish the book and say, “That writing was kinda crappy,” but they’ll probably buy your next book.
A Brief Aside…
Not making bad choices is the least important of the essentials. Unfortunately, it’s also the one I’m the best at.
I didn’t come to understand the importance of filtering through your POV character until writing my 3rd draft, and I think it shows. I made a valiant effort in my editing, but I still have work to do.
I don’t think that tension is a weakness of mine, but I also wouldn’t consider it a strength. I’ll try to ramp it up in both the final drafts.
That brings me to:
Essential 4 – Emotion
If you want your reader to love your book, you have to make them feel something. The only way to do that is to get the emotion right, and that’s not an easy proposition. You can’t just tell the reader what the character feels; you have to demonstrate it in a way that makes the reader truly understand. If you go too far, though, it induces eye rolling.
This morning, I used my DVR to catch up on an episode of Grimm. One of the ongoing plot lines is the development of a relationship between two of the supporting characters, and it struck me how well the writers are handling that subplot. They don’t devote a lot of time to it, but, what time they do spend, they use well.
First, the guy is just enough of a loser to be sympathetic. I’m firmly rooting for him to win the girl.
Second, they don’t get sappy. He never pines over her. Instead, they show him doing things that indicate his feelings.
In the episode I watched today, the character, a clock repair man, gives his girlfriend a, wait for it, clock. He doesn’t go on and on about his feelings for her; he goes on and on about how awesome the clock is. The camera cuts to the girl, and her expression indicates her understanding of his meaning. It’s fantastic writing.
Quite simply, the 3rd draft of my novel is not where I want it to be in this respect, but I’m working on it. I found this blog post recently that offers tremendous advice: http://awriterstouch.wordpress.com/2013/03/27/words-concrete-and-stacking-stories-3-tips-for-writing-emotion-in-fiction/
I strongly suggest you check it out.